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How's Dr. Lee Hin-chun? The design of the V-line amniotic bone, the inner thrust of the cheekbone and the conic of the lower horn is clear

MEILE Editorial · 2026/07/21 · 5 min read
How's Dr. Lee Hin-chun? The design of the V-line amniotic bone, the inner thrust of the cheekbone and the conic of the lower horn is clear

It is often not “wanted to be small”, but “will it be natural to do it” that is the most troublesome consideration of the face. These problems are evident in the lower angles, the expanse of the cheekbones and the discomfort of the side, which are visible in the photographs, but once the bone is moved, it cannot be determined by aesthetic impulse alone.Dr. Lee Heng, Korean ShapeThe point is he’s surrounded.V-line amplified bone, gillbone thrust, low horn conicIt’s a whole skeleton design, not a single dot.

I. What’s Dr. Lee’s background? Opaque system and overall structural judgement

The source refers to Dr. Lee ‘ s long-term deep-painted orientation, his participation in the Korean system of halo-related societies, his previous position at the professor ‘ s level in plastic surgery at Jiumi Hospital, University of Tianmu, and his numerous representation at plastic surgery institutions.

This type of background is characterized by the fact that it is easier to look at the face in terms of bone ratio, side-face line, upper- and lower-face relationship and face turning points. It is different from conventional light medicine, and the face-forming is discussed at the bottom, not at the surface.

So it’s not appropriate to ask Dr. Lee when he’s known to teach. It is worth asking how doctors judge the relationship between the jaws, cheekbones, jaws and bites. The skeletal project involves a bone structure, and if the design is not in the right direction, the narrowness of the individual parts does not necessarily make the whole face any better.

ii. How does Li Heng teach V-line to understand? It’s not about cutting your chin up.

V-line amputations are often misconstrued as “tip chin surgery”, but the real design is based on the width of the chin, the lower jaw line, the lower hip transition and the central face ratio. The pursuit of narrowness may lead to an imbalance in the side or a positive imbalance.

You can ask the doctor when you see him: My question is whether the chin is wide, the horn is off, or the top-down is off? Do V-line need to be done with the lower horn conic? These questions help to judge whether the programme is based on your bones, rather than applying fixed templates.

V-line also has soft tissue coverage. If the face is thicker and skin elastic, the visual changes and the restoration of the rhythm of the skeletal constriction are carefully assessed. The value of a face doctor, such as Dr. Li Heng, lies in looking at the bone in conjunction with the soft tissue, rather than just calculating the amputee range.

V-line design may also involve adjustments in the direction of the chin if the chin itself is shrunk, tilted or in short proportions. Many thought that the lower angles and chins were two separate projects, but in the shape of the cheeks, they decided together on the lower face. The combination of these two points during the interview would be closer to the real plan.

iii. Lee Heng taught internal push and 3D bone adjustment, with emphasis on expanse and support balance

The inside of the cheekbone is primarily a solution to the problem of the enlargement of the mid-surface and the wide-faced side, but it cannot be seen only “how much to push in”. The cheekbones bear mid-face support and, if the logic of the treatment is not clear, may affect the facial stereosis. The 3D gillbone adjustment places greater emphasis on combined judgement of the front, side and sides.

This is also an important part of the design logic of a facial surgeon: it is not enough to look at a particular angle, but rather whether the face is coordinated, whether the side face is coherent and whether the bone turns natural. For those who feel strong about the presence of cheekbones, the interview should focus on internal direction and regularity.

The inside of the cheekbone also avoids “only looking at the front width.” Some of them are wide-faced, but they have good side support; others have a visible outside of the bow, with no hair or makeup. Surgery varies from case to case, and it is more reliable for doctors to explain the three-dimensional adjustment logic during a meeting than to hear only the name of the project.

Who does the lower horn curve fit? Dr. Lee Han-sensei looks at the whole line.

The lower arctic curve is suitable for people who look down at the angles of the angles, the contours are hard and the angles of the side face are visible. It is not critical to the cision, but to the continuity of the line from behind the ear to the chin. If only one corner is cut off, the face may change from a “side” to a “break” and not necessarily more natural.

Dr. Li Hun taught me to be more concerned with the direction of the skeleton. The population groups that are suitable for consideration are usually: expanse of the cheekbone, visible undertones, disharmony in the upper and lower cheeks, and a clear sense of contours. In the case of fats or muscle bites, non-bone options may need to be considered first.

If the face is slightly rounded, it may be assessed in the direction of fat, biting muscles or tight skin; if the fracture of the bone is visible at the time of taking the picture, if the cheekline is hard on the side, and if the expanse of the cheek is difficult to improve, it would be more appropriate to have more information about the face programme. Don’t put all the big faces on the bone.

Dr. Li Heng, such a face-to-face orientation, is suitable for those willing to communicate carefully with the design of the structure. Interviews can be conducted on the front, side, back and 45 degrees of photographs, and can also set out the point of view that you feel most strongly about. Whether doctors are clear about each angle is an important basis for judging whether the programme is nuanced.

V. How do you teach Dr. Lee Hing, the Korean Shape Shape? Don’t just look at project names.

The key words of the Korean plastic surgeon, Dr. Lee, are:V-line amputation, internal thrust of the cheekbone, conic length of the jaw, whole skeleton designI don’t know. In case of a positive diagnosis, questions are asked about the origin of the bone-section problem, the need for a combination of surgery, the recovery cycle and the suitability of the soft tissue. The shape of the face is not simply reduced, but rather makes the face more consistent and testes the doctor ‘ s judgment of the overall ratio. The perspectives and face-to-face issues of his or her mind are listed in advance, and the meetings are more specific, and it is easier to understand programme trade-offs and restore rhythm.

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